The Summer Sessions 1933-1952: Visiting Artists at the Mills College Art Museum
Not on view
6/15/2011 - 8/28/2011
Organizing institution: Mills College Art Museum
The Summer Sessions 1933–1952: Visiting Artists at the Mills College Art Museum, curated by Dr. Stephanie Hanor and students in the Mills College Museum Studies Workshop demonstrates the extraordinary history of artistic innovation at Mills College. The exhibition examinea the museum’s significant role in the introduction of European modernist artists and their practices to the San Francisco Bay Area during the period surrounding World War II. From 1933 to 1952, under the direction of the noted German art historian Alfred Neumeyer, the Mills College Art Museum participated in the “Summer Sessions,” a series of classes and workshops in which distinguished contemporary European, Latin American, and American artists were invited to the College to teach and exhibit work. The museum was a pioneer in its choice of avant-garde artists for the Summer Sessions program, which included sculptor Alexander Archipenko; painters Max Beckmann, Lyonel Feininger, and Fernand Léger; and Latin American artists Antonio Sotomayor and José Perotti. In the summer of 1940, faculty members from the School of Design in Chicago, the newly reformed Bauhaus directed by László Moholy-Nagy, designed and taught that year’s Summer Session. As a direct result of the program, the museum organized the first exhibition of Feininger’s work in the United States (1936) and major exhibitions by Léger (1941), Moholy-Nagy and the Bauhaus (1940), and Beckmann (1950).
Using approximately 40 paintings, photographs, prints, and drawings from the museum’s collections and archives, the Summer Sessions exhibition will provide new scholarship on the role these artists played in Northern California, describe a vital chapter in the history of the Mills College Art Museum, and expose new audiences to an important group of works in the museum’s permanent collection. The Museum Studies Workshop is a course taught in the Art History Program at Mills College encompassing both the theoretical and practical study of museums in historical and contemporary contexts. The members of this year’s class are: Alyssa Ilves, Mia Malotte, Elizabeth Mauerman, Jennifer Nicholson, Meri Page, Rachel Reyes, Hazel Rogers, Mika Rosen, and Jessica Tang.
PUBLIC PROGRAMS
Wednesday, June 15, 6:00–8:00 pm, Art Museum
Gallery Talk by Peter Selz, Professor Emeritus of Art History, UC Berkeley
Opening reception to follow in the Art Museum
Sunday, July 24, 3:00–5:00 pm, Art Museum
Family Arts Workshop and Tours of The Summer Sessions
Saturday, August 27, 6:00–8:00 pm, Danforth Lecture Hall
Lecture by Bert Gordon, Professor of History, Mills College
Closing reception to follow in the Art Museum
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Alexander Archipenko
(Ukraine, 1887 - 1964, United States)
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Andre Derain
(France, 1880 - 1954)
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Antonio Sotomayor
(Bolivia, 1902 - 1985, United States)
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Dong Kingman
(United States, 1911 - 2000)
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Dorothea Lange
(United States, 1895 - 1965)
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Fernand Léger
(France, 1881 - 1955)
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Fletcher Martin
(United States, 1904 - 1979, Mexico)
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Frederic K. Taubes
(Poland, 1900 - 1981, United States)
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G. Paul Bishop
(United States, 1915 – 1998)
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Grant Wood
(United States, 1891 - 1942)
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György Kepes
(Hungary, 1906 - 2001, United States)
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Henri Matisse
(France, 1869 - 1954)
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Henry Varnum Poor
(United States, 1888 - 1970)
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Imogen Cunningham
(United States, 1883 - 1976)
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John Gutmann
(Germany, 1905 - 1998)
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José Perotti
(Chile, 1898 - 1956)
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Josef Breitenbach
(Germany, 1896 - 1984, United States)
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Laszlo Moholy-Nagy
(Hungary, 1894 - 1946, United States)
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Leon Kroll
(United States, 1884 - 1974)
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Lyonel Feininger
(United States, 1871 - 1956)
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Max Beckmann
(Germany, 1884 - 1950, United States)
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Nathan Oliveira
(United States, 1928 - 2010)
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Oskar Kokoschka
(Austria, 1886 - 1980, Switzerland)
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Reginald Marsh
(France, 1898 - 1954, United States)
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Robert Boardman Howard
(United States, 1896 - 1983)
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Thomas Hart Benton
(United States, 1889 - 1975)
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Yasuo Kuniyoshi
(Japan, 1889 - 1953, United States)