Mark Adams
American, (1925–2006)
Mark Adams was born in Fort Plain, New York. He attended Syracuse University for two years (1943–45) before moving to New York City to study with the painter Hans Hofmann (1945–47). He later went to France to study tapestry-making with Jean Lurçat (1955). Early in his career, Adams was a designer of tapestries and stained glass. He designed the windows for Temple Emanu-El and Grace Cathedral in San Francisco. He created over two dozen tapestries, some of which are in the de Young Museum and the San Francisco International Airport. He was commissioned to create a 30-foot tapestry for the headquarters of Weyerhaeuser. In 1963, he won the Rome Prize. In search of a more intimate and smaller-scale medium, Adams turned to watercolors in the mid 1970s, and it was this work that gained him the greatest recognition. Most of his watercolors are still lifes, often of flowers or single objects like hats; he also painted landscapes. His style combines luminous washes of intense color with sparely drawn subjects, and his compositions often feature effects of light such as strong shadows, reflections, and refractions. Adams taught art at the University of California, Davis, the San Francisco Art Institute, and elsewhere.
American, (1925–2006)
Mark Adams was born in Fort Plain, New York. He attended Syracuse University for two years (1943–45) before moving to New York City to study with the painter Hans Hofmann (1945–47). He later went to France to study tapestry-making with Jean Lurçat (1955). Early in his career, Adams was a designer of tapestries and stained glass. He designed the windows for Temple Emanu-El and Grace Cathedral in San Francisco. He created over two dozen tapestries, some of which are in the de Young Museum and the San Francisco International Airport. He was commissioned to create a 30-foot tapestry for the headquarters of Weyerhaeuser. In 1963, he won the Rome Prize. In search of a more intimate and smaller-scale medium, Adams turned to watercolors in the mid 1970s, and it was this work that gained him the greatest recognition. Most of his watercolors are still lifes, often of flowers or single objects like hats; he also painted landscapes. His style combines luminous washes of intense color with sparely drawn subjects, and his compositions often feature effects of light such as strong shadows, reflections, and refractions. Adams taught art at the University of California, Davis, the San Francisco Art Institute, and elsewhere.
Artist Objects
Glass of Water 1999.13.6